Letter from Johnny Roosval to Thomas Whittemore, March 16, 1938
[Cat. Sue 5] Special thanks to Catherine Piganiol from the Bibliothèque Byzantine of the Collège de France for allowing us to include the transcription of this letter housed in their archive.
Stockholm 16/3 1938
My dear Mr Whittemore,
I cannot say how glad I am to hear of your coming to Stockholm and Upsala, personaly as well as because of the importance of the subject of your lecture. Mr Sjoblom, secretary of our Society of History of Art told me today he had had your decisive telegram. Sorry we can’t offer you hospitality and salary corresponding to the scale of what one is accustomed at in America. Our scientific societies are poor. We shall be the more thankful, all of us.
Please write to the adress of Mr Sjoblom everything which must be done in technical way to make the showing of your film possible. Probably something must be made or some special auditory (classroom) with the necessary outfit be choised.
I hope you also tell him if you wish room ordered for you. Please write to him, not to me.
With these lines I only wish to express my great pleasure of your visit here
More Exhibit Items
Connick, a leading American stained glass artist of the first half of the 20th century, expresses his amazement upon seeing a film of the mosaics of Hagia Sophia.
Gregory expresses his opinion upon seeing the films shot in 1936 for the first time the following year.
Arne extends an invitation for Whittemore to give two lectures illustrated with films in Sweden.
Roosval expresses how delighted he is that Whittemore will be visiting Stockholm and Upsala to give lectures illustrated with the film.
Bliss expresses her apprehension regarding Whittemore's return to Istanbul, suggesting that he should instead travel around the United States to show "the film" since many people were interested in seeing it.
Whittemore expresses his interest in publishing the uncovered mosaics in Hagia Sophia as soon as possible to prevent German intervention. He discusses publicizing the work of the Byzantine Institute on the West Coast by giving a lecture illustrated with the color films.
Whittemore informs Thacher, Director of Dumbarton Oaks, that he has agreed to show a color film of the work carried out at Hagia Sophia, in response to a request from the Administrative Committee of Dumbarton Oaks.
Whittemore agrees to show color films of the work done at Hagia Sophia at Dumbarton Oaks.
Whittemore proposes a lecture at the University of Rochester, which will be illustrated with color films of the conservation work carried out in Hagia Sophia.
Clark from the Eastman Kodak Company invites Whittemore to give a public lecture illustrated with the color film at the Art Gallery in Rochester, NY.
Thacher, Director of Dumbarton Oaks, asks Whittemore to give a public lecture with films at Dumbarton Oaks.
This short summary published in the proceedings of the 6th Congrès International des Études Byzantines shows that Whittemore presented the work of the Byzantine Institute to the Byzantine scholarly community by means of the color films produced during the cleaning and restoration work at Hagia Sophia.
The Executive Officer of the Society informs Whittemore that a screening of the films at the Annual Meeting in 1950 would not be possible, but proposes to put him on the program for the following year.
Whittemore agrees to show the color film at the American Philosophical Society Annual Meeting in 1951. This screening never took place as Whittemore passed away on June 8, 1950.
Coolidge from the Fogg Art Museum at Harvard University accepts MacDonald's offer for a screening of the Byzantine Institute films.
Marian Hayes, art history professor at Mount Holyoke College and a former student of Whittemore's at New York University, inquires about renting the color film on Hagia Sophia to show it to her students.
The Byzantine Institute issues an invitation to a screening of the films in honor of Thomas Whittemore at the Fogg Art Museum at Harvard University.