The Dumbarton Oaks Research Library and its Rare Book Collection stage a number of on-site exhibits each year. In some cases we also create an online counterpart in order to enhance and promote our on-site exhibits. These online exhibits continue to exist after the on-site exhibits must be taken down and packed away. Please enjoy some featured highlights from our rich and interdisciplinary collections. Direct any questions to the Special Projects & Reference Librarian.
October 7 – December 31, 2014
Traces of processions that once wound along roads, filed through cities, and hiked over mountains can be found throughout the Americas. Although these processions have either long ceased or have assumed substantially different forms, the remains of many Pre-Columbian civilizations provide suggestive evidence of their ceremonial importance.
The long eighteenth century saw widespread exploration and a tremendous increase in the traffic in botanical specimens. The goal of many imperial expeditions was to explore the natural resources of colonies and distant lands in search of potentially profitable plants and products. Plants arrived at major cities on board ships, and were grown in botanical gardens that were often state-funded. The plants were studied and cultivated, especially if they were perceived to have economic or medicinal value. The study of botany was facilitated by herbarium specimens and botanical illustrations, as well as by innovations in taxonomy that simplified the description of plants.
This exhibition explores the foundations of numismatic study of Roman and Byzantine coins from the 16th to 19th century. Dumbarton Oaks continues to promote the study of Byzantine coins and seals through regular . This exhibition is in honor of the 2013 summer seminar's students and instructors.
The Dumbarton Oaks Rare Book Collection houses a collection of twenty-one paintings by the renowned British botanical artist, Margaret Mee (1909–1988). This exhibit provides Dumbarton Oaks an opportunity to display paintings acquired by Mrs. Bliss that reflect the work of Mee’s early journeys, when she had only just begun to chronicle the flora of the Amazon.
January 2012 – November 2012
The Dumbarton Oaks Rare Book Collection is a participant in a project, organized by the National Museum of Women in the Arts, to celebrate works by great women artists in Washington, DC museums. The artist that the Research Library Rare Book Collection selected for this project is the naturalist Maria Sibylla Merian (1647–1717), and specifically her 1719 publication Metamorphosis insectorum Surinamensium (first published in 1705).
September 1, 2011 – December 31, 2011
Warfare in Pre-Hispanic Mesoamerica and the Andes
This exhibit highlights two representations of warfare in pre-Hispanic Mesoamerica and the Andes. First, the exhibit includes fineline drawings of images painted on ceramic vessels produced by the Moche, a culture that flourished on the north coast of Peru in the first centuries of the Common Era. Second, the Lienzo de Quauhquechollan tells the story of the conquest of Guatemala by the allied forces of the warriors of Quauhquecholteca and the Spanish.
April 15, 2011 – July 31, 2011
Mīkhaīl Petrovīch Botkin (1839–1914), Collection M. P. Botkine
This exhibition examines the ways in which 19th-century collections and illustrated catalogs impacted the study and appreciation of early Christian, Byzantine, and medieval minor arts before Mildred and Robert Bliss began their collection.
Jean Baptiste Monnoyer (1636–1699), Arrangement of Flowers
Nicolas Robert (1614–1685) and Jean Baptiste Monnoyer (1636–1699) were the leading proponents of two parallel styles of botanical illustration that developed in France during the second half of the seventeenth century. Nicolas Robert’s work focused on the scientific aspects of the plant. Monnoyer, on the other hand, was one of the earliest practitioners of the decorative tradition in French flower painting.
December 15, 2010 – March 31, 2011
Queen's Binder B (binder), The government of the tongue
A book’s binding is a particularly satisfying piece of material culture. Like the frame of a painting, a binding can offer up valuable information about provenance and production. This exhibit examines some methods of binding books and some of the broader significance of particular materials and styles.