Now on View: From Clearing to Cataloging: The Corpus of Tunisian Mosaics
The Image Collections and Fieldwork Archives (ICFA) presents From Clearing to Cataloging: The Corpus of Tunisian Mosaics, an exhibit that highlights the Margaret Alexander Collection at Dumbarton Oaks. The Collection contains documents and photographs that relate to the fieldwork and publication of the Corpus des Mosaïques de Tunisie (CMT), or Corpus of Tunisian Mosaics. The CMT was launched in 1967 to create a catalog of Roman and Late Antique mosaics in Tunisia and was co-directed by Margaret Alexander until 1994. The project was administered through the Foreign Currency Program of the Smithsonian Institution, and was sponsored by various institutions such as Dumbarton Oaks and the University of Iowa. The CMT team focused on clearing, preserving, and cataloging pavement mosaics found in private residences and Christian basilicas. To obtain reliable dates for the mosaics, they used evidence buried in or near the mosaics, including coins and pottery fragments. The CMT team members carried out the archaeological work at four major sites in Tunisia—Utica, Thuburbo Majus, El Jem, and Carthage—before publishing a four-volume catalog of over 1,000 mosaics dating from the first to the fifth centuries CE.
The exhibit includes selections from the Margaret Alexander Collection in ICFA, and can be viewed in the Bliss Gallery during the Museum’s open hours. These archival items date from the 1960s to 1990s and demonstrate the process of the fieldwork and publication of the CMT project. The exhibit was developed to coincide with the Dumbarton Oaks Byzantine Studies symposium in April 2012, "Rome Re-Imagined: Byzantine and Early Islamic Africa, c. 500–800."
Robin Pokorski, ICFA Intern
Rona Razon, Archives Specialist
Hillary Olcott, Museum Exhibitions and Programs Coordinator
Christopher Harrison, Senior Exhibits Technician and Cabinetmaker