Fig. 2: Biscuit-fired wasters (Waksman 2008–2009)

Fig. 2: Biscuit-fired wasters. These wasters, coming from the same archaeological context, illustrate the variety of motives in the production of Sirkeci. It includes ceramics decorated with monograms (top row, 2nd from the right), with birds (top row, 1st from the right) and Elaborated Incised Ware (top row, 1st from the left).