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Online Resources

Ephemera Collection

The Ephemera Collection consists of a variety of materials related to the Byzantine and Pre-Columbian cultures and to worldwide gardens and landscapes that provide an alternative, popular cultural perspective on the academic research fields at Dumbarton Oaks.

Moche Iconography

The Moche Archive has formed the basis of a body of scholarly work that, in combination with the archaeological record, advances an understanding of the Moche world, including the rites, rituals, flora, fauna, foodways, and practices of this ancient Peruvian culture.

Manuscripts-on-Microfilm Database

The Dumbarton Oaks Research Library holds almost two thousand microfilm rolls that are reproductions of medieval and early modern manuscripts, the originals of which are held in institutions around the world. This database allows researchers to search for specific manuscripts represented within the collection.

Bliss-Tyler Correspondence

An annotated transcription of the correspondence between Mildred Barnes Bliss, Robert Woods Bliss, Royall Tyler, and Elisina Tyler between 1902 and 1953.

D.C. Water Atlas

A digital atlas of waterways big and small in Washington, D.C., from the eighteenth century to the present. The online atlas provides a clear sense of the relationship in scale between a city block and the course of an entire river, and facilitates visualizing changes over time in layers or phases.

Mapping Cultural Philanthropy

Donors and Cultural Institutions in the Nation’s Capital

The Byzantine Emperors on Coins

One hundred twenty seven Byzantine coins, one for each Byzantine emperor, plus the few usurpers who struck coins are presented in this online exhibition. All the objects have been selected from the Dumbarton Oaks Byzantine Coin Collection in order to present the viewer with a glimpse into one of the largest Byzantine coin collections in the world.

Bookbindings: “Of Making Many Books There Is No End”

This exhibit examines some methods of binding books and some of the broader significance of particular materials and styles.

Maria Sibylla Merian

A contribution to the 25th anniversary of the National Museum of Women in the Arts