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The Byzantine Institute Films

Pierre Iskender in Kariye Camii
Pierre Iskender measuring the light during filming in the Kariye Camii, September 29, 1948.
The Byzantine Institute was founded by Thomas Whittemore in 1930 with the goal to conserve, restore, study, and document the art and architecture of the former Byzantine Empire. Starting with its first fieldwork project, conducted from 1929 to 1931 at the Red Sea Monasteries in Egypt, the Byzantine Institute used the medium of the moving image to document the site and its inhabitants. The Byzantine Institute reprised this approach to documentation during its cleaning and restoration work at Hagia Sophia and Kariye Camii in Istanbul, using color films to record the mosaics in different light situations and stages of uncovering.

Whittemore in Restoration of the North Tympanum
Thomas Whittemore tracing and explaining decorative mosaic patterns on the North Tympanum of Hagia Sophia, October 3, 1940.

The Image Collections and Fieldwork Archives (ICFA) at Dumbarton Oaks holds thirteen (13) of the Byzantine Institute's motion picture films: one of the Red Sea Monasteries, eleven (11) of the Hagia Sophia, and another one of the Kariye Camii. This exhibit aims to reveal the context of these films by combining them with archival records from the Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers. While the films themselves provide indispensable testimony of the mosaics and the techniques employed to uncover them, the meticulous written documentation produced by Byzantine Institute staff - especially the restorers Ernest Hawkins and the brothers Richard and William Gregory - make the history of their creation come alive. These fieldwork notebooks and letters make it possible to reconstruct a detailed timeline of the making and showing of the films of Hagia Sophia and Kariye Camii.

Exhibit Contents

✚ This online exhibit is divided into three sections:

  • "STYLE AND CONTENT" presents records that document the subjects of the films, often with an indication of stylistic choices.
  • "TECHNIQUE" reveals the film and lighting equipment used, in addition to the speed and exposure employed during filming.
  • "PURPOSE AND RECEPTION" traces the documented screenings of the movies and the responses of contemporary audiences.

✚ To explore the history behind the films and view documents in relation to each other, visit the "TIMELINE".

✚ To view the films click on the EXHIBIT ITEMS below.

 

Exhibit Items

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