Letter from Ture Algot Johnsson Arne to Thomas Whittemore, November 24, 1937
Statens Historiska Museum
Tel. 23 00 50
Stockholm the 24/11 1937
Dr Thomas Whittemore
Byzantine Institute, Paris
When, at the end of October, You had the great amability to show me the mosaics of Aya Sofia, we spoke about a lecture in Stockholm in april next year. I have spoken with professor Roosval, who is the president of the Society for art history, and he would be very glad to meet you here. Perhaps, I could come in contact with the swedish-american society here, so that it would be possible to give two lectures and in that manner have a compensation – modest, that is true. The art society can only gives 100 crowns. It is in the hope that You will take Your way through Stockholm in every case. We shall be glad to see You and Your beautiful film here.
With kind regards
T.J. Arne Special thanks to Catherine Piganiol from the Bibliothèque Byzantine of the Collège de France for allowing us to include the transcription of this letter housed in their archive.
More Exhibit Items
Connick, a leading American stained glass artist of the first half of the 20th century, expresses his amazement upon seeing a film of the mosaics of Hagia Sophia.
Gregory expresses his opinion upon seeing the films shot in 1936 for the first time the following year.
Arne extends an invitation for Whittemore to give two lectures illustrated with films in Sweden.
Roosval expresses how delighted he is that Whittemore will be visiting Stockholm and Upsala to give lectures illustrated with the film.
Bliss expresses her apprehension regarding Whittemore's return to Istanbul, suggesting that he should instead travel around the United States to show "the film" since many people were interested in seeing it.
Whittemore expresses his interest in publishing the uncovered mosaics in Hagia Sophia as soon as possible to prevent German intervention. He discusses publicizing the work of the Byzantine Institute on the West Coast by giving a lecture illustrated with the color films.
Whittemore informs Thacher, Director of Dumbarton Oaks, that he has agreed to show a color film of the work carried out at Hagia Sophia, in response to a request from the Administrative Committee of Dumbarton Oaks.
Whittemore agrees to show color films of the work done at Hagia Sophia at Dumbarton Oaks.
Whittemore proposes a lecture at the University of Rochester, which will be illustrated with color films of the conservation work carried out in Hagia Sophia.
Clark from the Eastman Kodak Company invites Whittemore to give a public lecture illustrated with the color film at the Art Gallery in Rochester, NY.
Thacher, Director of Dumbarton Oaks, asks Whittemore to give a public lecture with films at Dumbarton Oaks.
This short summary published in the proceedings of the 6th Congrès International des Études Byzantines shows that Whittemore presented the work of the Byzantine Institute to the Byzantine scholarly community by means of the color films produced during the cleaning and restoration work at Hagia Sophia.
The Executive Officer of the Society informs Whittemore that a screening of the films at the Annual Meeting in 1950 would not be possible, but proposes to put him on the program for the following year.
Whittemore agrees to show the color film at the American Philosophical Society Annual Meeting in 1951. This screening never took place as Whittemore passed away on June 8, 1950.
Coolidge from the Fogg Art Museum at Harvard University accepts MacDonald's offer for a screening of the Byzantine Institute films.
Marian Hayes, art history professor at Mount Holyoke College and a former student of Whittemore's at New York University, inquires about renting the color film on Hagia Sophia to show it to her students.
The Byzantine Institute issues an invitation to a screening of the films in honor of Thomas Whittemore at the Fogg Art Museum at Harvard University.